Album cover for Feldman: Piano, Violin, Viola, Cello (Live) by Nieuw Amsterdams Peil

Feldman: Piano, Violin, Viola, Cello (Live)

Nieuw Amsterdams Peil

About the album

An hour and fifteen minutes is long for a piano quartet, but it pales in comparison to the nearly five hours of Crippled Symmetry and the six hours of the Second String Quartet. Morton Feldman (1926-1987) is renowned for compositions that are simultaneously the longest, softest, and slowest.

Feldman completed his piano quartet, which is not actually titled as such but rather Piano, Violin, Viola, Cello, on May 28, 1987. He could not have foreseen that this would be his last work.

This album was recorded live at the soundsofmusic festival in Groningen (NL).

Tracklist

Morton Feldman

Piano, Violin, Viola & Cello1:19:03
Total playing time1:19:03

Artists

Composers

Despite its large temporal scale, the music's understated character lends it an inviting intimacy, and engagement never falters when the moment-by-moment directions the music takes are unpredictable. While the path it follows might be impossible to predict, it never feels random. Even if it seems as if the music is meandering, the path it pursues is carefully delineated by the score.

Ron Schepper, Textura

Similar to standing before a Jackson Pollock painting, don't try it intellectualize it. Just allow it to seep in. And as you do so, your consciousness begins to embrace the lack of structure, embrace the flow that is sound and non-sound. Of course, the recording by Brendon Heinst is of superb quality as always. So that is a pure delight.

Rushton Paul, Positive Feedback

The enchantment so essential in this music flows from the transporting engagement in which evocation and expression constantly reach out to each other. This is undoubtedly one of the best performances of Feldman's Piano, Violin, Viola, Cello, and the recording by Brendon Heinst is exemplary.

Aart van der Wal, Opus Klassiek

It is often the case that Morton Feldman's delicate music always takes a while to reach the ear from the instruments. But once it arrives, its intense activity develops in certain areas of the brain, and you listen with fascination to the gradual sequence of chords and changes that unfold, not wanting to miss anything.

Wojciech Pacuła, High Fidelity News

Credits

GenreContemporary
InstrumentationChamber
Release dateSeptember 27, 2024
Booklet