Featured album

The Planned Child

Avishai Darash

This work may appear to have come together over the past year, but in truth it has been more than sixteen years in the making. When Maya from TRPTK first approached me in 2023, I did not yet imagine The Planned Child taking the shape you now hear — eight solo pieces and two duos.

Album cover for The Planned Child by Avishai Darash

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Photo of Maya Fridman

Featured artist

Maya Fridman

cello / singer

Musician, medium, priestess. For Maya Fridman (1989), these words mean virtually the same thing. Music is magic, she believes. And as a performer, she enjoys taking her audience to that other, magical world. This is how she turns each concert into an almost religious ritual. Upon reflection, there are two Mayas. The classical Maya studied cello in Russia and the Netherlands. She won the Dutch Classical Talent Award in 2019, a reliable measure of musical mastery. Here was a cellist who had more up her sleeve than the conventional repertoire. She was offered a residency at the Utrecht concert hall TivoliVredenburg. The Gaudeamus and November Music festivals also gave her free rein. She played the cello and sang, mumbled and screamed, lit candles and evoked scents. And gradually, a second Maya emerged: the alternative. She writes her own lyrics and music as a singer-songwriter. In 2023, her first alternative album, The Power of Indifference, was released on her home label TRPTK. Listen to how she wanders through far-flung musical regions, from electronic to gothic and pop. Listen to how she whispers lyrics like in a fever dream. Ask her to describe that alternative world, and she says: ‘dark…’ But she doesn’t turn her back on the real world. For example, she enjoys working with other artists. This could be a composer like Jan-Peter de Graaff, whose cello concerto The Forest in April she premiered. Or Tomoko Mukaiyama, the piano fashionista. Or LudoWic, an audiovisual wizard. And sometimes the world violently intrudes into her life. After the Russian attack on Ukraine, she organized benefit concerts. She founded the TRIDA foundation, to help artists in need. In addition, there is a Maya Fridman Foundation, for adventurous, multidisciplinary projects. And then she is also working on a dissertation. Subject: the ritualization of concert practice. Because everything converges with Maya Fridman. Musician, medium, priestess.

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Featured composer

Alfred Schnittke

1934–1998

Alfred Schnittke was an eminent composer who was instrumental in shaping the world of music in the 20th century. His works, primarily known for their emotional depth and exploration of different musical styles, have left a profound impact on the world of classical music. Early life and education Schnittke was born on November 24, 1934, in Engels, in the Volga-German Republic of the Soviet Union. His mother, Maria Vogel, was of Volga German descent and his father, Harry Viktorovich Schnittke, was Jewish and born in Frankfurt. The family moved to Vienna in 1946, where Schnittke began his formal musical training. Vienna's rich cultural environment played a significant role in his artistic development. He took violin lessons and started composing at a young age, showing an early predilection for music. The family moved again in 1948, this time to Moscow, where Schnittke enrolled in the October Revolution Music School. He furthered his studies at the Moscow Conservatory from 1953 to 1958, studying composition under Yevgeny Golubev and orchestration under Nikolai Rakov. During his years at the conservatory, he was deeply influenced by the works of various composers, including Dmitri Shostakovich, a figure who would later become a significant influence on his compositional style. Career beginnings and evolution After graduating, Schnittke spent the next decade teaching instrumentation at the Moscow Conservatory while also working as a composer for film and television. His film work was an essential aspect of his career; he composed the scores for over sixty films in the Soviet Union. This work allowed him to experiment with various musical styles and genres. In the late 1960s, Schnittke began to gain recognition as a composer of concert music. His First Symphony, completed in 1972, was a defining piece for him, employing a technique he called "polystylism." Polystylism is a fusion of different musical styles and periods into a single composition, a hallmark of Schnittke's music. This symphony's daring combination of various musical idioms was deemed controversial in the Soviet Union but earned him international acclaim. Throughout the 1970s and 80s, Schnittke's music evolved, with works marked by a distinct spiritual and philosophical depth. His works during this period were profoundly influenced by his personal struggles with the Soviet authorities and his deteriorating health. Recognition and struggles Despite facing numerous obstacles, including official censorship and health problems, Schnittke's reputation continued to grow. He became one of the most celebrated composers of his generation, both within and outside the Soviet Union. His compositions, including symphonies, concerti, chamber and choral music, gained recognition for their emotional intensity and distinctive blending of styles. However, the latter half of the 1980s was marred by severe health problems for Schnittke. In 1985, he suffered the first of several strokes, which significantly impacted his health and affected his ability to work. Later life and legacy In the 1990s, after the collapse of the Soviet Union, Schnittke moved to Hamburg, Germany, where he lived for the remainder of his life. His music from this period reflected a shift towards a more minimalist style. Despite his declining health, he remained productive, even from his hospital bed. Schnittke passed away on August 3, 1998, leaving behind a diverse body of work that has since been performed and recorded by many major orchestras and soloists worldwide. Alfred Schnittke's music reflects a keen awareness of the tumultuous times he lived in. He developed a unique musical language that married the traditions of Western classical music with the realities of his Soviet environment. Despite being often controversial, Schnittke's work resonates with audiences for its emotional intensity and intellectual depth. His exploration of different musical styles and his courageous experimentation have had a lasting impact on classical music. Schnittke's music continues to be widely performed and recorded. His influence is evident in the work of many composers who came after him. His contribution to music, both as a composer for concert music and film scores, has secured his place as one of the 20th century's most influential composers. Today, Schnittke's work is seen as a testament to the power of music to reflect and respond to the world's complexities.

Portrait of Alfred Schnittke

Upcoming concerts

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18 Mar
19:00
Maya Fridman & Farid Sheek at New Moon Special
Amsterdam (NL)
29 Mar
11:00
Maya Fridman & Sietse van Berkel
Cello x BMX
The Hague (NL)
29 Mar
12:30
Maya Fridman & Sietse van Berkel
Cello x BMX
The Hague (NL)
29 Mar
15:00
Maya Fridman & Sietse van Berkel
Cello x BMX
The Hague (NL)
1 Apr
20:30
Avishai Darash Quintet
Nijmegen (NL)
10 Apr
18:00
Maya Fridman at Boleskine House Grand Opening
Evening Gala
Inverness (GB)
11 Apr
09:00
Maya Fridman at Boleskin House Grand Opening
Opening Day
Inverness (GB)
25 Apr
14:30
Maya Fridman feat. Soheil Shayesteh & Conchita Boon
Opening Concert of Festival van Vlaanderen
Mechelen (BE)
17 May
15:00
Maya Fridman & Oleg Lysenko
Benefit Concert for Ukraine
Haarlem (NL)
23 May
20:00
Maya Fridman & Storm in a Jar
The Architecture of Trees
Oranjewoud (NL)