1035 is an exploration of both past and present, centered around a piece that is close to my heart—J.S. Bach’s Flute Sonata BWV 1035. Performed on the Keybird, a new lightweight acoustic “una corda” piano, this project breathes fresh life into the baroque sonata, blending modern interpretations, original compositions, and personal improvisations inspired by the master’s work.
What makes 1035 truly special is the integration of the Keybird’s MIDI capabilities, allowing me to connect and play two analog synthesizers directly through the instrument. This opens up an exciting realm of sonic possibilities, merging the organic warmth of an acoustic piano with the electronic textures of synthesizers. It’s a dynamic dialogue between the traditional and the contemporary, where acoustic sound meets modernity.
The album was recorded in the Westerkerk in Enkhuizen, a medieval church with stunning acoustics that add a sacred, resonant quality to each note. The church’s atmosphere allows the music to unfold naturally, enhancing both the delicate tones of the Keybird and the spacious textures of the synthesizers. It’s a setting that beautifully amplifies the blend of ancient and modern that runs through the heart of this album.
In 1035, I explore new frontiers of classical music through an innovative instrument. This journey uncovers the surprising ways in which music from centuries past can blend with modern technology, giving Bach’s sonata a fresh perspective while maintaining its timeless beauty.
