Album cover for Elegy by Aeon Trio

Elegy

Aeon Trio

About the album

We came across some of the pieces by sheer luck. Atzko and I met and improvised together for the first time on June 18. Improvising felt easy and flowing like water. But we still needed to find the compositions which would inspire us and give us new ideas. I was very happy when Atzko came up with an idea to play Utviklingssang by Carla Bley, Lonely Woman by Ornette Coleman, and Zingaro by Antônio Carlos Jobim. Frans suggested to play his favorite Gary’s Waltz. So far everything fitted in. But our original idea was to play not only jazz compositions but also to make our own interpretation of the classical ones. Lamento by Gabriel Fauré gave us the space to improvise and it felt to me like we brought one more dimension to this beautiful piece. When Atzko gave me the score of the Elegy by John Williams, I was puzzled at first, because it was so different from all other tunes. But it worked! So, it is how everything came together.. we had so many ideas for the CD that it could barely fit, so we had to choose the best tunes and improvisations. In the end, I just want to say that this entire process from the first meeting till now was deeply enriching and I’m really grateful to Atzko, TRPTK, and Frans, for making it all happen. – Maya Fridman

Playing music is more than just performing: it also brings with it the opportunity to meet and become acquainted with other people who share your passion and affection for music. My introduction to Maya was a wonderful example of this added benefit. When I first listened to Maya’s cello playing, I was intrigued by its hue change – various shades and colors coming from her instrument. To me, her cello sometimes sounds like Albert Ayler’s saxophone and sometimes just like human crying….She is so free in her performance; she seems to liberate herself from any constraints. Despite the many differences between us – nationality, culture and background – we found a common voice in our music – ÆON Trio. Some say, “We don’t meet people by accident. They are meant to cross our path for a reason.” — Yes, indeed! In our album Elegy, I’m sure you will hear our voice. – Atzko Kohashi

Tracklist

Carla Bley

Útviklingssang4:29
Tabidachi (Departure)5:30

Gary McFarland

Gary's Waltz5:35

Gabriel Fauré(arr. Maya Fridman)

La chanson du pêcheur, Op. 4, No. 16:23

Atzko Kohashi

Blues for Maya3:33

Ornette Coleman(arr. Atzko Kohashi)

Lonely Woman

Act I4:48
Act II4:58

Antônio Carlos Jobim

Luíza4:18
Kusabue (Grass Whistle)2:08

John Williams(arr. Maya Fridman)

Elegy5:39

Antônio Carlos Jobim

Zingaro5:16
Ieji (Returning)4:16

Bill Evans

Quiet Now5:49
Total playing time1:02:42

Artists

Composers

It is no exaggeration to state that Elegy is one of the best-sounding hi-res recordings of jazz or contemporary music in my collection. […] Any attempt to describe in words the clarity, transparency and warmth of TRPTK’s house sound must fall short.

Mark Werlin, All About Jazz

Very wonderfully played and recorded. The sounds that Maya Fridman creates with her cello are so impressive, emotive and unique.

Bill Steiner

It all sounds exceptionally transparent, warm, and direct – simply a recording of absolute reference class.

Garmt van der Zel, Beter Beeld & Geluid

As a result, rather than grabbing one by the lapels and shaking them for their attention, Aeon Trio have made a record that lures the listener in with a beckoning finger. A tearful siren’s song.

James Fleming, HiFi Pig

This is one of the most natural sounding recordings of cello, piano and bass I have ever heard!

Wayne Wilmeth, Goldenear

The recording is amazing. [...] Quiet, thoughtful, calming- but this music is never “background.” But what do you call it? I call it uniquely involving, beautifully played, soul- touching music!

Bill Dodd

Amazing music that grips you from the first note and lever lets go. Recorded and mastered at a very high level. Highly recommended!

Listener

Magnificent interplay, pure harmony and sublimely performed.

Listener

Themes die out and are brought back to life, improvisations dripping on through. Classical and jazz are interconnected timelessly, as you sink deep into it with indefinable thoughts. Superb.

Erno Elsinga, Jazzenzo

Credits

Producer, recording & mastering engineerBrendon Heinst
Assistant engineerBart Koop
Piano technicianMichiel Strategier
Photography & artworkBrendon Heinst
Liner notesAtzko KohashiMaya Fridman
GenreJazz
InstrumentationChamber
Recording dateOctober 2016
Recording locationBeauforthuis, Austerlitz (NL)
Recording formatPCM 352.8 kHz 24 bit
Mastering formatPCM 352.8 kHz 64 bit
Release dateFebruary 25, 2017
Booklet

Technical specifications

MicrophonesSonodore RCM-402Sonodore MPM-91
Microphone preamplifiersSonodore MPB-508
AD/DA conversionMerging Technologies Sphynx 2
MonitoringDutch & Dutch 8c loudspeakersQuestyle CMA800R headphone amplifiersSennheiser HD800s headphones
CablingSiltech custom mono-crystal microphone cablesFurutech FA-220 interlinksFurutech FX-Alpha-Ag digital cablesFurutech The Empire power cables